charlotte arnoux


Writing has been an essential part of Charlotte's artistic path. She's a proud reviewer at Theatre Is Easy and Exeunt, continues to develop her own plays, and writes short-form fiction and non-fiction. 

REVIEW: Borders

REVIEW: This Is Modern Art

A look at a crew of graffiti artists on the streets of Chicago, This is Modern Art examines the lack of recognition of those doing the “writing” on the wall.

REVIEW: the hollower

A cross-generational relationship between a bizarre teen and a depressed adult, told through an explosion of color, hallucinations and wackiness.

REVIEW: Pay No Attention to the Girl

A creative reimagining of Arabian Nights in a brand new space.

REVIEW: Miss You Like Hell

Charlotte Arnoux reviews Quiara Alegría Hudes’ feminist road trip.

REVIEW: The Loneliest Number

Lizzie Vieh explores the side effects of side pieces in her poignant and exciting new play.

NEW PLAY: Creekside Drive

Charlotte's newest play Creekside Drive is featured as part of the Schreiber Shorts 2018 Festival. Directed by Keelie Sheridan, starring Melanie Glancy.

REVIEW: Jupiter's Lifeless Moons

Charlotte Arnoux reviews Dane Terry’s “exciting, magical, musical” piece, in COIL.

REVIEW: Actually

Actually unpacks the blurred lines of a drunken night between two college freshmen.

REVIEW: The Tooth-Puller

In this newest piece by The Department of Fools, eight commedia masters weave together song, dance, comedy, and phalluses of all sizes!


A skilled ensemble meets all your circus needs in a fun and enchanting new piece.

REVIEW: J&K 1965

A highly interactive site-specific hunt for heroin in a 1965 Needle Park.

REVIEW: A Simple Art

In the investigation of a real-life cold-blooded murder, the New York Neo-Futurists uncover the blurry line between fact and fiction.

REVIEW: The Other Plays

 A riveting collection of plays and monologues that explore what it means to be seen as an "other."


An influential ad executive is determined to resist the invisibility that comes with being fifty and female.

REVIEW: Visionary Voices

A presentation of three plays by women: Trifles and The People by Susan Glaspell and Exit: An Illusion by Marita Bonner.

REVIEW: How To Sell Your Gang Rape Baby**For Parts @ Frigid

A scarily offensive play in which a gang rape creates a great business venture for two women who are out of options.

REVIEW: A History of Servitude

A wild, highly inappropriate journey through time, as told by a commedia group of Fools— masters and servants alike.

REVIEW: Street Children

A vogue-tastic window into the 1980s on the Hudson Piers.

REVIEW: Poison

A Euro-hit two-hander about grief, closure, and moving on.

REVIEW: Hedda Gabler

A streamlined and technically powerful production of the Ibsen classic.


A crowd-pleasing play tells the story of a love triangle set in late 1960s Kansas.

REVIEW: Miss @ Fringe Fest

A suspenseful drama about trauma, loss, and revenge.

REVIEW: Liars and Lovers @ Fringe Fest

A tale of revenge between two "best friends."

REVIEW: The Extraordinary Fall of the Four-Legged Woman @ Fringe Fest

An a cappella musical about the true story of a four-legged sideshow attraction and her fear of giving in to true love.

REVIEW: Is That Danny DeVito?

A millennial version of Samuel Beckett’s Waiting for Godot that weaves in great laughs and lots of tender moments.