Writing has been an essential part of Charlotte's artistic path. She's a proud reviewer at Theatre Is Easy and Exeunt, continues to develop her own plays, and writes short-form fiction and non-fiction.
Charlotte Arnoux reviews Henry Naylor’s two-hander about Western ignorance of the Syrian conflict.
A look at a crew of graffiti artists on the streets of Chicago, This is Modern Art examines the lack of recognition of those doing the “writing” on the wall.
A cross-generational relationship between a bizarre teen and a depressed adult, told through an explosion of color, hallucinations and wackiness.
A creative reimagining of Arabian Nights in a brand new space.
Charlotte Arnoux reviews Quiara Alegría Hudes’ feminist road trip.
Lizzie Vieh explores the side effects of side pieces in her poignant and exciting new play.
Charlotte's newest play Creekside Drive is featured as part of the Schreiber Shorts 2018 Festival. Directed by Keelie Sheridan, starring Melanie Glancy.
Charlotte Arnoux reviews Dane Terry’s “exciting, magical, musical” piece, in COIL.
Actually unpacks the blurred lines of a drunken night between two college freshmen.
In this newest piece by The Department of Fools, eight commedia masters weave together song, dance, comedy, and phalluses of all sizes!
A skilled ensemble meets all your circus needs in a fun and enchanting new piece.
A highly interactive site-specific hunt for heroin in a 1965 Needle Park.
In the investigation of a real-life cold-blooded murder, the New York Neo-Futurists uncover the blurry line between fact and fiction.
A riveting collection of plays and monologues that explore what it means to be seen as an "other."
An influential ad executive is determined to resist the invisibility that comes with being fifty and female.
A presentation of three plays by women: Trifles and The People by Susan Glaspell and Exit: An Illusion by Marita Bonner.
A scarily offensive play in which a gang rape creates a great business venture for two women who are out of options.
A wild, highly inappropriate journey through time, as told by a commedia group of Fools— masters and servants alike.
A vogue-tastic window into the 1980s on the Hudson Piers.
A Euro-hit two-hander about grief, closure, and moving on.
A streamlined and technically powerful production of the Ibsen classic.
A crowd-pleasing play tells the story of a love triangle set in late 1960s Kansas.
A suspenseful drama about trauma, loss, and revenge.
A tale of revenge between two "best friends."
An a cappella musical about the true story of a four-legged sideshow attraction and her fear of giving in to true love.
A millennial version of Samuel Beckett’s Waiting for Godot that weaves in great laughs and lots of tender moments.